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The Sonata in C major (HWV 365), for recorder and harpsichord, was composed (probably before 1712) by George Frideric Handel. The work is also referred to as ''Opus 1 No. 7'', and was first published in or shortly after 1726—in a collection of twelve sonatas titled ''Sonates pour un Traversiere un Violon ou Hautbois Con Basso Continuo Composées par G. F. Handel''—purportedly in Amsterdam by Jeanne Roger, but now shown to have been a forgery by the London publisher John Walsh.〔Terence Best, "Handel's Chamber Music: Sources, Chronology and Authenticity", ''Early Music'' 13, no. 4 (November1985): 476–99. Citation on 481–82.〕 Walsh republished this sonata in 1731 or 1732 under his own imprint in a similar collection, containing ten of the earlier sonatas and two new ones, with the new title ''Solos for a German Flute a Hoboy or Violin With a Thorough Bass for the Harpsichord or Bass Violin Compos'd by Mr. Handel''.〔Best 1985, 483.〕 Other catalogues of Handel's music have referred to the work as HG xxvii,15; and HHA iv/3,33. The pseudo-Roger, Walsh, and the Chrysander (based upon pseudo-Roger and Walsh) editions indicate that the work is for recorder ("flauto"), and published it as ''Sonata VII'', though the autograph manuscript is missing the title page.〔Best 1985, 480.〕 This autograph is a fair copy made most likely in 1712, but a reliable copyist's manuscript gives the instrumentation in Italian: "flauto e cembalo", exactly as in Handel's complete autographs of the Sonatas in G minor, A minor, and F major.〔David Lasocki and Walter Bergmann, "Critical Report", in G. F. Handel, ''The Complete Sonatas for Treble (Alto) Recorder and Basso Continuo'' / ''Die gesamten Sonaten für Altblockflöte und Basso Continuo'', edited by David Lasocki and Walter Bergmann, 67–79 (London: Faber Music Limited; New York: G. Schirmer, Inc.; Australia & Canada: Boosey & Hawkes; Kassel: Bärenreiter-Verlag; Tokyo: Zen-On Music Co. Ltd., 1979): 69 and 74n23.〕 ==Movements== The work consists of five movements: (Movements do not contain repeat markings unless indicated. The number of bars is taken from the Chrysander edition, and is the raw number in the manuscript—not including repeat markings.) Three of these movements are related to other works by Handel:〔Best 1985, 480.〕 *Handel also used the second movement in the overture to the opera ''Scipione'' (1726) *The third movement is a revised version of the third movement of the Oboe Sonata in F Major (1711–16) *The fifth movement is related to the duet "Placa l'alma", from act 1, scene 4 of the opera ''Alessandro'', (1725–26) 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Recorder Sonata in C major, HWV 365 (Handel)」の詳細全文を読む スポンサード リンク
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